Moving Cultures, Transcultural Encounters

// Moving Cultures – Transcultural Encounters // Culturas en movimiento – encuentros transculturales // Cultures en mouvement – rencontres transculturelles // Culture in Movimento – Incontri Transculturali // Moving Cultures – Transcultural Encounters // Culturas en movimiento – encuentros transculturales // Cultures en mouvement – rencontres transculturelles // Culture in Movimento – Incontri Transculturali //

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Dr. Pavan Malreddy / Prof. Dr. Frank Schulze-Engler
Department of English and American Studies
Norbert-Wollheim-Platz 1
D-60629 Frankfurt am Main
To make an appointment:
Phone: 069/798-32352
Email: c.argast@em.uni-frankfurt.de

Prof. Dr. Jacopo Torregrossa
Department of Romance Languages and Literatures
Norbert-Wollheim-Platz 1
D-60629 Frankfurt am Main
To make an appointment:
Phone: 069/798-32021
Email: salerno-petersen@em.uni-frankfurt.de

Between Empathy and Innocence: Prosthetic Memory and its Pitfalls in Iben Mondrup’s Greenland Trilogy (FMSP Guest Lecture) | 29 October 2024

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Posted: October 7, 2024
Category: Events , News
Comments: 0

Tuesday, 29 October 2024, 16:15
Campus Westend, Casino 1.812

Emilie Dybdal (Department of Cross-Cultural and Regional Studies, University of Copenhagen)

The dominant narrative in Denmark has long been that Danish colonialism in Greenland was particularly mild and benign, emphasizing the Danes’ altruistic efforts to protect the Greenlandic ‘people of nature’ and help them transition gently into modernity. However, Danish author Iben Mondrup’s trilogy of novels – Tabita (2020), Vittu (2022), and Bjørn (2023) – challenges this narrative by depicting the traumatic experiences of two Greenlandic children who are ‘stolen’ by Danish families and subjected to neglect and trauma. This paper examines the trilogy’s potential impact on Danish cultural memory. Drawing on Alison Landsberg’s concept of “prosthetic memory”, it argues, on the one hand, that the novels can foster empathy and awareness of colonial injustices among Danish readers. On the other hand, it also raises the concern that these prosthetic memories could become what Eve Tuck and K. Wayne Yang call “moves to innocence” – strategies allowing Danish readers to alleviate feelings of guilt or discomfort about the ongoing effects of colonialism without actually addressing or dismantling colonial structures.